南加大电影系主任，著名剪辑师、导演，毕生经验总结 剪辑专业首选必读教科书 国际影视院校联合会、著名电影学者大卫·波德维尔一致推荐 与沃尔特·默奇《眨眼之间》齐名的大师之作 干货技巧结合亲自参与的一手实例，详解7大剪辑原则 地道的流畅剪辑技法精华，尽在本书 ................... 📖 编辑推荐 剪辑如何做到神不知鬼不觉，让人不出戏？ 怎么“卡点”、“让画面充满活力”？ …… 是灵动的剪辑激活了视觉创意，给了屏幕前的观众“会心一击”。 在目不暇接的全民短视频时代，人人都需要了解一些“剪辑思维”。 ◎ 剪辑专业首选必读教科书，好莱坞流畅剪辑技法精华 作者麦肯德里克是大制片厂剪辑师出身的知名导演， 作品多次提名奥斯卡、金棕榈、金狮等大奖，后投身教学，担任南加大电影制作系主任，他提出的7大剪辑原则，影响了包括好莱坞著名剪辑师沃尔特·默奇在内的一...(展开全部)

南加大电影系主任，著名剪辑师、导演，毕生经验总结 剪辑专业首选必读教科书 国际影视院校联合会、著名电影学者大卫·波德维尔一致推荐 与沃尔特·默奇《眨眼之间》齐名的大师之作 干货技巧结合亲自参与的一手实例，详解7大剪辑原则 地道的流畅剪辑技法精华，尽在本书 ....... ............ 📖 编辑推荐 剪辑如何做到神不知鬼不觉，让人不出戏？ 怎么“卡点”、“让画面充满活力”？ …… 是灵动的剪辑激活了视觉创意，给了屏幕前的观众“会心一击”。 在目不暇接的全民短视频时代，人人都需要了解一些“剪辑思维”。 ◎ 剪辑专业首选必读教科书，好莱坞流畅剪辑技法精华 作者德米特里克是大制片厂剪辑师出身的知名导演， 作品多次提名奥斯卡、金棕榈、金狮等大奖，后投身教学，担任南加大电影制作系主任，他提出的7大剪辑原则，影响了包括好莱坞著名剪辑师沃尔特·默奇在内的...(展开全部)

"Editing is the creative force of filmic reality." So Dmytryk, director of the American classic "The Caine Mutiny" begins this little book, which he hopes will aid film directors and editors in perfecting their art. It is informative for general audiences as well, demonstrating how deeply the experience of any film relies on the creativity and versatility of its editor. Product...(展开全部)

Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by a wide range of examples from various periods and countries, the authors strive to help students develop a core set of an...(展开全部)

Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by a wide range of examples from various periods and countries, the authors strive to help students develop a core set of an...(展开全部)

编者吉尔·内尔姆斯（Jill Nelmes），东伦敦大学电影学高级讲师，教授从本科到研究生的一系列课程，学术研究的重点包括性别与电影以及剧本创作。她是威尔士联合教育委员会媒体研究专业的监审员，近两年在加州大学洛杉矶分校研究剧本创作学并供职于洛杉矶电影界。关于本书其他撰稿人的情况，请见书中专页的详尽介绍。 译者李小刚，1957年8月出生，曾任职中国艺术研究院《文艺理论与批评》编辑部。1996年至今，任《世界电影》双月刊副编审。主要论文、序跋和导读多篇，散见《电影艺术》《青年文学》《文艺报》《世界电影》等报刊。发表的主要译文（含电影剧本）约50余篇，散见《世界电影》1994年至今各期。编著有《希区柯克经典悬念电影小说集》《九十年代世界流行影片》《鬼眼：世界经典恐怖电影小说集》《万事由来》（含合编）等。另有译著《权力伙伴：克林顿与希拉里的美国》《美国与东亚...(展开全部)

An Introduction to Film Studies is a comprehensive introduction to the study of cinema. This completely revised and updated second edition provides a guide to key issues and concepts in the field and also traces the historical development of film, while introducing some of the world's key national cinemas. Written by experts in the field and lavishly illustrated with over ...(展开全部)

Roger Crittenden reveals the experiences of many of the greatest living European film editors through his warm and perceptive interviews which offer a unique insight into the art of editing - direct from masters of the craft. In their interviews the editors relate their experience to the directors they have worked with, including: Agnes Guillemot- (Godard, Truffaut, Catherine ...(展开全部)

Roger Crittenden reveals the experiences of many of the greatest living European film editors through his warm and perceptive interviews which offer a unique insight into the art of editing - direct from masters of the craft. In their interviews the editors relate their experience to the directors they have worked with, including: Agnes Guillemot- (Godard, Truffaut, Catherine ...(展开全部)